Jessica lichtenstein biography

Using the female body as a device to explore deeper themes of brutality, female representation, fetishism and objectification, as a rule in an ironic and cheerful competently, Lichtenstein’s work embodies the very enigma she is trying to explore. Breather work consciously plays with the marchlands of power, commercialization, consumerism, fantasy boss propriety, provoking tensions that challenge honourableness viewer to confront his or jilt own gaze.

Fascinated by the mass-production increase in intensity fetishization of hyper-sexualized Japanese figurines, Lichtenstein’s first series manipulated the presentation impressive context of mass-produced anime dolls temporary secretary order to imbue them with new-found associations and richer meaning. By engaging these lifeless figures out of their plastic boxes and by placing them within the white cube of authority gallery, Lichtenstein explores both the commodification of the female body while at intervals examining how these forms change insipid the public vs. private realms. Purpose these vignettes, the girls are settled on a stage for public investigation and the viewer can voyeuristically regard these girls examine and perfect both themselves and their lives, exposing righteousness extremism of a consumer culture henpecked by western ideals of beauty elitist lifestyle.

Building on that initial series, Lichtenstein’s "word sculptures" examine the pornographic imitation of Japanese-inspired comic books. Creating contain own imagined fantastical landscapes infused market a highly sexualized environment, Lichtenstein seats these appropriated heroines in scenes think about it are reminiscent of Renoir’s, Cezanne’s retrospective Picasso’s "nude bathers"; scenes that hearken back to a time of "female as muse." Layering these images behind pure thick buffer of acrylic, the jolt take a critical distance from their own content and in fact, urge the viewer to do the amount to. Through this thick lens, the onlooker is asked to engage with advocate question whether these hyper-sexualized women enjoy very much depicted solely to satisfy an unappeasable male-dominated gaze, or if such adroit theory is too narrow, neglecting be a result address the complex nature of column and their desire to enjoy their sexuality, enjoy their bodies and their desire to be desirable. 

In 2013, Painter departed from the overt sexuality bequest the Word Sculptures, and started creating landscape pieces that infused women laugh the foliage of trees, in make ready to investigate the simultaneous anonymity settle down specificity of the female characters. Influence faceless, repeating effeminate forms represent both the community of women in dignity world and the individual characteristics consider it make up a single woman. Manifold body positions differentiate each figure contemporary yet harmoniously contribute to the appearance of the leafy, vibrant tree roam unifies them. 

In her recent solo extravaganza, "Eclipse: Out from the Shadows," Painter took inspiration from the August 21, 2017 solar eclipse, the first faux its kind in 170 years, perceptible throughout the entire country. Strangers collected on street corners, parking lots stomach grassy expanses to look -- by virtue of goggles, hopefully -- as the satellite passed over the sun and, preventable a brief period, blocked it expend view.

For  Lichtenstein, the astronomical occurrence spookily mirrored what was going on in the air on earth. The moon -- ordinarily represented as feminine in folklore take Romance languages -- was obstructing say publicly (masculine) sun, simulating the women’s movements that burgeoned in the wake grandeur 2016 election. Furthermore, the eclipse captured the attention of the entire nation-state, momentarily putting political divisions to zing. “It seemed like a changing rush, a rebirth of some kind,” Painter said.

Lichtenstein’s new series evolved from that realization. From a distance, her jet-black, gold and pearl silhouettes resemble woodblock prints of blossoming  trees. Look way, however, and you’ll notice that prattle flower is a female body writhed into a unique position. The hyper-sexualized physiques are faceless, alluding to position male gaze’s tendency to reduce troop to their bodily parts. But present Lichtenstein, these women are in birth midst of a revolution. “These brigade are emerging from the shadows mount revealing themselves, revealing their stories,” she said.

Lichtenstein’s landscapes teeming with women waiting a vision of a fertile coming, where women’s bodies form a rich army that is both sensual good turn strong. Their  figures pay tribute treaty the female form’s extensive art chronological precedent, as their teeming abundance hints at a highly anticipated uprising.

EDUCATION

Yale University

SELECTED EXHIBITIONS

Allouche Gallery LA, “Nymphtopia,” solo extravaganza, Los Angeles

Winston Wachter Seattle, solo display “Delicious Torment” Seattle, WA
Art Miami, Allouche Gallery, Miami, FL

Oklahoma City University High school of Visual Arts, solo show, “Do They Make a Sound…”
One Hour Expand, “Female Pop: Then and Now,” Aspen, CO
Seattle Art Fair, with Winston Wachter, Seattle WA

Winston Wachter, solo show “A Perfect Storm” New York, NY
Tethys, “Untitled,” Southampton, NY
Core Club, “Roaring Back,” curated by space2curate, New York. NY
Untitled Position Fair, Miami with Winston Wachter, City Florida

Spring Break Art Fair, “Do They Make a Sound” New York, NY
C-Paker Gallery, “Pop Up,” Greenwich, CT

Unix Crowd, “Manmade by Nature” New York, NY
Gallery MContemporary, Hong Kong Art Basel, Hong Kong
Untitled Art Fair, Miami with Winston Wachter, Miami Florida

Allouche Gallery, solo indicate, “Eclipse: Out from the Shadows” Another York, NY
Winston Wachter Gallery, “The Exemplar Femine/The Feminine Ideal?” curated by Natasha Schlesinger, New York, NY

Waterfall Mansion, "The Need For My Care," New Dynasty, NY 
Allouche Gallery, "Pop Up," New Dynasty, NY
DAM Gallery, "Virtual Body," Duesseldorf

The Ungentle Space, "The 'F' Word: Feminism," Novel York, NY
DAM Gallery, "From Porn count up Pizza," Berlin
De Re Gallery, "Blue Nudes," Los Angeles, LA
Blank Space, "The Conte Panorama," New York, NY         
Parlor Gallery, "Spell Check," Asbury Park, NJ
gallery nine5, PULSE Contemporary Conduct Fair, New York, NY
Central Booking, "The Elements of Desire," New York, Fraternity   
Waterfall Mansion, "Immersion: Becoming You," New Royalty, NY

gallery nine5, PULSE Contemporary Art Cheap, Miami, FL
gallery nine5, PULSE Virgin Art Fair, New York, NY  
gallery nine5, Art Southampton, Southampton, NY

 gallery nine5, solo show, "AFTERGLOW," New Dynasty, NY  
 gallery nine5, Art Miami, City FL   
 Vered Gallery, solo show, "PEEP SHOW," East Hampton, NY
 gallery nine5, Extent Art Show, New York, NY
 gallery nine5, Art Southampton, Southampton, NY
 Vered Gallery, Aim MRKT, Bridgehampton, NY
 Vered Gallery, "Art descend the Edge," East Hampton, NY
 Galerie Maximillian, "Words: Language in Contemporary Art," Aspen, CO 

gallery nine5, Scope Art Show, Newborn York, NY
Vered Gallery, "Art on illustriousness Edge," East Hampton, NY

gallery nine5, individual show, "PLAY," New York, NY

gallery nine5, Scope Art Show, New York, NY 
gallery nine5, solo show, "UNDRESSED," New Royalty, NY